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Is open access the future of academic publishing?

 

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The long reign of the weighty academic tome is nearing its end, predicts sociologist and social historian Professor Ruth Finnegan.

My latest book, Why do we quote? The culture and history of quotation, is published by the innovative Cambridge-based academic publishers, Open Book Publishers. It exploits digital publishing technology to make the full text accessible free online. This free text is complemented by purchasable pdf downloads or, for the many readers who prefer this, by high-quality and reasonably priced print-on-demand paperback and hardback editions.

It seems to me that open access represents the future for academic publication.  It is now starting to be increasingly used for journal publications, especially in the sciences, but it is much less usual for full academic monographs, especially in the social sciences and humanities. It is certainly a form of free knowledge-dissemination to all, making use of the new opportunities afforded by the web, and is very much in keeping with the open and democratising spirit of the Open University. 

And marks a striking contrast to the conventional mode of academic monograph publishing. This is in hard copy, often at a price approaching £80, with publishers expecting only to sell around 200 copies – which will inevitably only bought by the small proportion of research libraries and individuals who can afford them. 

The result is the restriction of knowledge to a small minority of scholars. This perhaps suits the publishers (and the academic promotion system) but does little for the free dissemination of new research, and is something we at the Open University should rightly deplore. It also seems wrong that research, often publicly funded, should not be publicly available, free, to all who wish to read about it.

And then there’s the global dimension.  Over the years I have so often had email plaints from scholars in Africa (one of my research areas) longing to have access to copies of key texts, but unable for logistical or cost reasons to have access to them.

 There is interesting discussion of some of the issues involved in articles by Rupert Gatti and Robert Darnton (Director of the Harvard University Library), and a brief but pertinent account of the Open Book Publishers’ vision on their website. In common with a number of others, these authors suggest that with our new technological opportunities open access may be the emerging form of publishing,  leading to a brighter future for the open and more equitable distribution of knowledge.

I would be interested to know if other readers have experience of using this form of more accessible internet publication, especially in the Humanities and Social Sciences.

Ruth Finnegan 8 June 2011 r.h.finnegan@open.ac.uk

Professor Ruth Finnegan is Emeritus and Visiting Research Professor in the Social Science faculty of the Open University. She was the first member of the OU academic staff to be elected a Fellow of the British Academy, in 1996.  

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About Society Matters

Provocative, relevant, current: for the last decade Society Matters magazine has been informing, engaging and annoying social sciences students in equal measure.  Now, its move online has given us the chance to bring its lively mix of analysis and opinion to a wider audience.

Society Matters online started in October 2010 and has, so far, covered a wide range of issues and topics ranging from inequality and the big society to arms sales and foreign policy. All can be seen by scrolling down from the top of the Society Matters front page.

We have also illustrated many of these posts with the work of our two illustrators (see below). Serious analyses have been interspersed with posts on a less weighty issues which show both human folly and innovation.

Society Matters continues to be edited by its original creator, Dick Skellington. Dick, pictured above, was previously a programme manager in the social sciences faculty, walks the talk through an active involvement in the affairs of his home town of Stony Stratford, Bucks, and finds light relief through writing poetry and the occasional stage appearance in local productions.

Since many years at the coalface of journalism have taught us all that sometimes a picture really is worth a thousand words Dick is aided and abetted by resident illustrators, Gary Edwards and Catherine Pain – both former OU students.

Catherine has drawn and painted all her life, and when she is not pillorying public figures for Society Matters paints animal portraits, works in stained glass and produces alphabet teaching posters for children. Her work is in several galleries in and around her current home in Cambridgeshire and her publications include an illustrated cookbook sold on behalf of the National Trust, a colouring book for small children, Alphabet for Colouring, and The Lost Children, a story for older children. Her website is at catherinepain.co.uk

Gary has written two best-selling books about his travels all over the world watching Leeds United FC, Paint it White  and Leeds United - The Second Coat. His third title No Glossing Over  will be published by Mainstream in September 2011. He has not missed a Leeds game anywhere in the world since February 1968 and married his wife Lesley at Elland Road.

Specialising in wall murals, Gary also holds diplomas from the London Art College, The Morris College of Journalism, has a Diploma in Freelance Cartooning and Illustration and is a contributing cartoonist for Speakeasy, an English-speaking magazine in Paris. During the 1970's and 1980's he collected  hearses and is a long time member of the Official Flat Earth Society as well as the Clay Pigeon Preservation Society.

Please note: The opinions expressed in Society Matters posts are those of the individual authors, and do not represent the views of The Open University.